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PROTOTYPE (MODEL) OF
A GALLERY FOR THE IMT ART SCHOOL
ABSTRACT
So
important is the need to display the products of the art school in IMT. As
there is need for showcasing, so there is need for proper preservation and
conservation of these works. This urge for an art gallery in the IMT art school
has been “pushing” since two years ago, there is a taught that this the most
appropriate moment and medium to contribute ones quota in making it a reality
by creating this lively “springboard” for an enabling environment for the
authorities to make a landmark (i.e building a structure from the prototype).
The application of a resounding research work was the first on the list of
procedures which led to and exertion that the artist has spent no meaningful
time is he/she has not been able to preserve, display and safeguard these
work(s).
However, it is quiet unfortunate that the student artist in the IMT art school
may not be able to tell the look of a gallery since they have none to their accessibility.
This has prompted the often cry about stolen or damaged art pieces.
This conceived concept placed before you, has in mind a situation whereby the
problems of products not properly accounted for, not shown to the public
through exhibition, not kept in good state. e.t.c. would be a forgotten thing.
Since it is planned in such a way that it would be spacious, cosy and sited in
a tranquilly and silence environment around the campus 11 area.
LIST OF ILLUSTRATIONS
FIG.1
DRAWING TOOLS
FIG.11
DRAWING TOOLS
FIG.111
FLOOR PLAN
FIG.1V
SITE PLAN
FIG.V ROOF PLAN
FIG.V1
FRONT ELEVATION
FIG.VII
BACKELEVATION
FIG.VIII
SIDE
ELEVATION
FIG.1
MATERIALS FOR MODELING ON DISPLAY
PIC
II
CONSTRUCTION OF THE WALLS, ROOF, WINDOWS/DOORS AND DECKING (SLABS)
PIC
III
LANDSCAPING IN PROGRESS
PIC
IV THE
FINISHED MODEL
TABLE
OF CONTENTS
CHAPTER
ONE: INTRODUCTION
1.1
Background History
1.2
Statement of the problems
1.3
Aims/objectives
1.4
Scope of the project
1.5
Limitation
1.6
Definition of terminology
CHAPTER
TWO
Literature
review
CHAPTER
THREE
3.1
Methodology
3.2
Project Development (Materials)
3.3
Tools and Application
CHAPTER
FOUR
Project
Analysis
CHAPTER
FIVE
5.1
Conclusion
5.2
Achievement
5.3
Recommendations/ Suggestions
References
CHAPTER
ONE
INTRODUCTION
Art gallery is a building or space for the public exhibition of works of art.
These works are usually exhibited for public enjoyment or education. In
privately run commercial art galleries, works are usually exhibited for sale.
Bringing it down to the instance of architectural modeling, we ought to look
into design of a proposed gallery. It is often seen as a difficult to
appreciate points of design on the actual appearance of a building or object
from plans and directions. The representation of constructed perspective gives
resemblance as does as possible4 to the actual appearance in terms of lines on
a two dimensional surface.
Architectural modeling is an area of drawing and making of structures that is
not really treated in Graphics art of IMT and there are some other methods of
this process than the ones in this project.
The proper follow-up of erecting a structure starts from the plans/elevations
and other necessary sections. To achieve these, the use of Orthographic
projections deployed. Also in Architectural drawing like there is the
application of metric projections and they are known as Isonometric and
Axonometric projections. While metric projections are methods of drawing
buildings or objects so that the 3 dimensional effect will be observed and a
proper measurement could be taken.
Isonometric projection is particularly suitable for cutaway views of objects
because it gives a realistic effects, placing the Axonometric along side the
Isonometric, the plan is seen as a for shortened plan, real length, ground plan
are been angled at 30 degrees above the horizontal.
By this, the clear and suitable view or understanding of the project will be
derived.
BACKGROUND HISTORY:
The
art gallery has it’s origin from the ancient Greece and Rome. In Greece, the
pinacotheca was a space at the entrance to a temple house where depictions of
deities were displayed. By this period before the 19th century the
pinacotheco serves as a place in a private house were statues tablets and other
works of art were kept.
In the modern world, the word is
extended to apply to municipal art galleries such as the Alte pinakothek and
Neue pinakothe (old and new pienecothecas) in Munich, and the penecotheca
Nazionale in Bologna and Siena.
In the 19th century, the ideal that art belongs to a nation rather
than an individual developed. However, this led to the emergence of most major
national art galleries. Also the French Revolution stimulated ideas of
democracy which favoured the concepts of preserving the perceived nation’s art
collection. In no small measure, these grew consciousness among national
artist.
Coming to the recent, the commercial art galleries play an important role both
for collectors and as the means by which living artists. However, in the
history of this institute, there has been no record of a permanent art gallery.
Instead it is always a temporary one for in pretence as in regards to achieving
an immediate need. With the establishment of this project there should be a
permanent one.
STATEMENT OF PROBLEM:
Currently
the art school of IMT Enugu has no god presentation system for the art products
all over the school. Having felt the pains of losing a cherished art piece as a
result of no good presentation space in the school and heard many other
unfortunate stories about damaged or lost works, it is quiet painful and of a
great negative consequence if we should continue in this state. Seeking to this
problem with a lasting solution is what have prompted this project. Nothing
that it is only the sculptural works that have an assigned portion in the
school.
On the other hand, members of the public always have it to say that the school
is “living in it’s past glory” this is due to the fact that more than half of
the number of works on display in the garden and some sites in the school are
produced by past students of the school. This implies that new work is not
finding their ways unto the necessary display patterns.
PURPOSE OF THIS
STUDY:
The
lies below clearly states specific points that the project seek to tackle. As
mentioned in the statement of the problem, there is great need for absolute
preservation and display of art works in the IMT art school. As such the aim is
geared towards restoring the dignity of the art school and it’s content(s)
which is at great under-mine. At the tail of this project, it would be
realistic midway since that research has been fulfilled with the practical work
to match. However, it would be completely realistic if the authorities
concerned are bent to aiding the school with the structure on ground for proper
use, in the art school.
Objectively, the research is on course so that a cozy and tranquilly structure
which is roomy enough to enshrine good number of the works produced in the art
school would be put in place. This would go a long way encouraging both the
schooling and graduating students of the art school. Regarding the fact that
their works are well kept and preserved, for these adds value to the artist.
It would also be added that, the idea of building a preservative point for
these works in an added advantage to the world of art and artist and the
project is purely aimed at inspiring the artist for greater standard and also
present the artist in a well packaged manner.
SCOPE OF THE PROJECT:
The range covered by this project is quiet versatile bringing together
Architecture and Arts (graphics). In achieving the purpose of this project, the
care choices to take on both tools and proportions since these are more than
abundant materials for could be achieved. Ones result after such work is to
determined principally by choice made before work.
Basically the major purpose of this project is not aesthetics rather for super
need of arts preservations. This is the reason while the materials used in the
prototype are such that could stand the test of time and the other hand look
beautiful for aesthetic value. These materials include papers of different
sorts, plastic board, and adhesive of solid bond.
The project is planned in a way that it will still be a point at which many
will be enlightened in this area and have another thought pattern that looks
better.
DEFINITION OF
TERMINOLOGY:
Principal
terminologist that are found in this project are terms commonly used in the
field and they enable an easy understanding ye fellow workmen in the
architectural field. Terms such as the following were deployed in the course of
the research report.
(1)
ELEVATION: modified
orthographic drawing that shows a side of an object or structure, e.g. approach
view.
(2)
BOND:
Joining
or adhesive gluing.
(3)
PLAN: This is the drafting
with the use of lines and features of a proposed structures for easy take off
and comprehension.
(4)
LANDSCAPING: This is the visual expanse of summery
of a particular type. This is seen as land beautification and the use of this
system to control some natural disaster, e.g. soil erosion.
(5)
TRACING / DRAWING: These are the method of laying the
sketch of the plan for the proposed building or object on a surface may be
paper (Drawing) or tracing sheet.
(6)
DORMER:
This is a an open space around a basement
window.
(7)
AREAWAY:
This is an open space around a basement window.
(8)
GREEN SUEDE: Fabric
material that has green dry wooly surface, used as grass.
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